is a show about 3 girls who decide to make anime together. But in truth, they are an entirely fantastical construction, and their sense of “reality” is purely a result of framing and staging, not their fundamental nature. Alternative names: Eizouken ni wa Te o Dasu na!, Hands off the Motion Pictures Club!, Keep Your Hands Off Eizouken! Finally, there are some interesting touches on the production side of things from Masaaki Yuasa and the team over at Science SARU that are worth highlighting. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and … Midori ASAKUSA is a first year high school student who dreams of creating her own animation. Keep Your Hands Off Eizouken! This whole school gives me extreme The Tatami Galaxy vibes, which shouldn’t really make sense, since the two stories are by different authors. Keep Your Hands Off Eizouken articulates that in such a divine way. Episode 3 Let's Accomplish Something! Science SARU’s production is excellent, its characters are charming and well-defined, and we’re even learning a little bit about the work of animation along the way. A group of strangers come together to work on creating the greatest anime series ever. Having made a splash and won the favor of the student council in last week’s episode, Keep Your Hands Off Eizouken! Created by Sumito Oowara. This wiki is currently under construction, so feel free to help out. Keep Your Hands Off Eizouken! Asakusa discovers a mysterious robot, and before long Mizusaki and Kanamori are implicated in the conspiracy surrounding it. This guy is not able to parse the fiction he loves with a creator’s eye; he is describing a feeling, and getting mad at seeing the half-finished, fantasy-dismantling stages that will eventually create that feeling, “So it’s reality that doesn’t care about giant robots.” Mizusaki can be ruthless too, even if accidentally, And at last, the underlying truth comes out: the club president can’t admit that giant robots are inherently unrealistic because goddamnit, he really wants to pilot a giant robot, Kanamori senses weakness, but of course the two artists are actually moved by his plight, and relate their own unrealistic fantasies, Ooh, I love this. If we’re talking about three-meter-tall monsters, wouldn’t a heavy machine gun do the job?” Asakusa relentless in her criticism of their worldbuilding, The team enter a network of tunnels beneath the school. Episode 1 Online at Anime-Planet. Starting with Tsubame imaging one of the struts crumbling and falling to the ground, the trio then gets wrapped up in the idea of using the real-life setting of the cavern underneath the school as the stage for an intense battle between a giant, chainsaw-wielding robot and a giant kaiju crab. Ono was already a large part of what made this arc so compelling in the original manga, as his overblown passion is hilarious in a sort of self-deprecating way. Post was not sent - check your email addresses! Thus great producers must also manage their own financiers, not just their artists, Kanamori opens with a big win, as she enters the room while the robot club are in the process of their own negotiation strategizing, Hah, this hyper-elongated shot of the girls at the negotiation table is so good, And this is actually a point where Asakusa’s talents also really come in handy. They go maybe a little overboard in its design specs. – Episode 5. Rain can create a sense of heightened drama, desperation, or despair, overcast skies can create a sense of anticipation or malevolence, etcetera. It features the trials, the tribulations, and ways of making anime. Why this unique element of the original manga has not been included up until this point is anyone’s guess – it appeared in the manga plenty of times before this – but it’s quite confusing when taken along with the numerous other things that were cut from this episode in favor of it, such as the subtle detail that Midori and Tsubame are wearing mecha pilot suits when they go to investigate the giant robot, which shows that they’re in their imagined world, and a scene with Kanamori at the very beginning that inserts a little bit of dramatic irony as to her involvement with the Robot Club for the reader. If you don’t see it … ep 5 *spoilers* Anime and Manga - Other Titles This is a split board - You can return to the Split List for other boards. Is Zac ever gonna give an episode less than 5 stars? Ep. As production starts to spin up for the eizouken's latest project, Asakusa has trouble nailing down the fine details of the story, which leads to no shortage of anxiety for Kanamori. The producer-type Sayaka Kanamori is the first to notice Asakusa's genius. The nature of that insidious plot? With Sairi Itô, Mutsumi Tamura, Misato Matsuoka, Yumiri Hanamori. There’s also an interesting visual technique used in Eizouken episode 5 that we haven’t seen before – on-screen thought bubbles that take the text of the original manga and put it directly in the gaze of the viewer. They fall through the floor, and all of Asakusa’s survival tools actually come in handy. on episode 5? By pure chance, she meets Mizusaki Tsubame, an up-and-coming socialite secretly dreaming of becoming an animator. Man, this show is just the best. Nice comedy of expectations there – stumbling past someone is a common piece of physical comedy, but extending it to a second cut with no transition emphasizes Asakusa’s world-class clumsiness. Today I am eaten by much more expectancy than common, as unlike every various other episode because the best, I in fact have not viewed this set myself yet. Let’s get back to Eizouken! Good luck making that move, Mizusaki! As she was being chased by men dressed in all black, ASAKUSA and KANAMORI help … The client in question is the Robot Club, who commission the Motion Picture Research Club to create a short film based on one of their creations for the upcoming cultural festival. “Something is definitely going on at this school!”, More horror movie framing – the extreme closeup of the door as Asakusa pokes her head in, and the shot of Mizusaki from three quarters overhead, emphasizing her stance within the light of the door, The character acting in this show is so loose and yet so brimming with personality. And that effect extends beyond the sky itself, as this episode demonstrates through its muted overall colors, Aha, I love this cut of Asakusa stumbling past Mizusaki, that then immediately transitions to a second shot of her continuing to stumble across the walkway. (Japanese: 映像研には手を出すな!, Hepburn: Eizōken ni … Looking for information on the anime Eizouken ni wa Te wo Dasu na! If the function of Keep Your Hands Off Eizouken! Episode 10 Online at Anime-Planet. Watch Keep Your Hands Off Eizouken! Watch Keep Your Hands Off Eizouken! Seeing how and if Science SARU uses this technique in the future will ultimately prove its worth, so we’ll just have to wait and see. We highly condemn the use of streaming anime or reading manga on an unofficial website. Along with last week’s crunch time desperation and, the week before that, the struggle to keep a team on track, Eizouken episode 5 introduces the trio to a new form of a challenge: pleasing a client. It was just people working to … Rate this episode here. Episode 5 Online at Anime-Planet. As Mizusaki is banned from joining the anime club by … Click the edit button at the top of any page to get started. While it's not uncommon for creators in any industry to base characters on themselves, Asakusa is personal to Owara in… There is, after all, not much difference between him, the Eizouken and the otaku reader – just that he stands in the way of our protagonists this time around. This too is a key part of anime production – your production committee is unlikely to be composed of people who actually care about the artistic value of the anime itself, but rather how effectively it promotes their financial stake. Yes, opprobrious, I understand. Keep Your Hands Off Eizouken Episode 5 Reaction - Eizouken Makes A Banger Robot!!! Today I am consumed by even more anticipation than usual, as unlike every other episode since the premiere, I actually haven’t watched this one myself yet. Our sources confirm that this episode will come out on February 2, 2020. You can watch Keep Your Hands Off Eizouken! As I said regarding Asakusa’s spaceship, audience resonance is key, Mizusaki has a more inspiring explanation: “it shows the people creating giant robot anime ultimately put their faith in people!”. Today I am consumed by even more anticipation than usual, as unlike every other episode since the premiere, I actually haven’t watched this one myself yet. Vladlove Episode 1 Review: We’re Vladlovin’ It! The student council's budget committee looms on the horizon as the eizouken… is one such series, and it's making history as the first anime to be included in both The New York Times' and The New Yorker's best shows of the year lists. But much credit has to go to Yuuki Ono, who brings the character and his ravings to life in his excellent performance, building on his excellent work last season as Louis in BEASTARS. But, as mentioned, they’re not going to have an easy time of it. To anime and manga fans, it is a thing of great joy to see anime receive global recognition outside the anime industry. Eizouken’s 4th episode […] This wiki is dedicated to Sumito Ōwara's 2016 Japanese manga Keep Your Hands Off Eizouken and its 2020 anime adaptation. A great deal of anime comedy fails for me because it lacks a light touch, but sequences like this make it look easy, Asakusa found a giant robot. Posted on February 21, 2020 by Bobduh. ~YOU DIED~ Anime: Eizouken ni wa Te wo Dasu na! Well, of course Kanamori would be working with the enemy, Another great joke of anticlimax, as the horns build up and the rocket is fired through this impressive perspective shot, then the collision with Asakusa is framed flatly from the side, and heralded by an unimpressive “boink” noise as the music cuts, The robot is Talos, and was built by the robot club, unsurprisingly. Hello everyone, and I hope you’re ready for another episode of Keep Your Hands Off Eizouken! (Keep Your Hands Off Eizouken!)? We already saw a little bit of this technique in previous episodes, especially when Tsubame used a video of herself swinging a machete as reference for her key animation, but Eizouken episode 5 dials things up a notch. REVIEW: Keep Your Hands Off Eizouken! Reminder: Please do … Science SARU via Crunchyroll / Shogakukan, Review: Me & Roboco – How to Slam Jump References and Win Hearts, Akudama Drive Review: Neon Highs, Unfortunate Roadblocks, and Cold Brutality, With the Mahito Arc, Jujutsu Kaisen Is Working Overtime. The deadline for Comet A looms large as the Shibahama High School film club gradually feels the squeeze; the school administration pressures other clubs to stop collaborating with the eizouken, Kanamori gets sick, and Asakusa still hasn't quite figured out the concept for their new film. As I said regarding Asakusa’s spaceship, audience resonance is key, Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Facebook (Opens in new window), Click to email this to a friend (Opens in new window). episode 5 sees the main trio take on a new challenge: create a giant robot anime, commissioned by the Robot Club. Episode 4 Hold That Machete Tight! Episode 5 of Keep Your Hands Off Eizouken is titled – “The Appearance”. This, too, is a key part of the creative process – going out into the world, and being inspired by the things you see. We’ll get into the consequences of that a little later on, but safe to say that the creative visions on both sides of the table don’t quite match up. Overall, Eizouken episode 5 was another fantastic episode in what is shaping up to be an incredible adaptation. on HBO Max. Because of this, anime is often uniquely flexible in its approach to standout sequences, and the best animators concern themselves not just with characters, but with how full environments can facilitate exciting drama, Kanamori states that it looks like they’re playing around, and Asakusa admits they kind of are. I imagine the team will be setting their sights even higher for their second production, and I can’t wait to see what dark corners of the creative process this show illuminates next. Alternative names: Eizouken ni wa Te o Dasu na!, Hands off the Motion Pictures Club!, Keep Your Hands Off Eizouken! The different anime they make, the hijinks they get up to. The Shibahama High School robot club commissioning an anime short from the eizouken. Stub articles are a great place to start. EP. Keep Your Hands Off Eizouken! Sorry, your blog cannot share posts by email. Creators like Hayao Miyazaki and Shigeru Miyamoto regularly admit they’re inspired by incidental elements of the natural world; rather than simply make a story that echoes the ideas of the stories you’ve seen before, it’s crucial to go out and find your own inspiration, and make something that feels true to your own experience of the world. Heading into next week, it’ll be interesting to see how and if the series can match the highs of its previous narrative. Episode 11 Online at Anime-Planet. The main ones that stood out to me were when Kanamori kicked down the rusted door (to which Tsubame remarks that she can “even put inanimate objects in their place”); the short exchange between Tsubame and Kanamori where the former asks the latter if she has cut her hair, to which she gives the curt reply “Yes.” before moving on to the business at hand; and the hilarious sequence where Midori manages to climb out of the hole that the trio fell into thanks to the numerous contraptions and tools that call her giant rucksack home. Episode 1, The Greatest World!, on Crunchyroll. There’s background animation to consider. In the case of Eizouken episode 5, this comes when the characters are in the underground space doing location hunting, with their voices echoing in the vast empty cavern. These changes don’t adversely affect the episode, however, and were only noticeable to me as someone who has read the original manga. Anyone can make a story that seems like other stories – to write, story, you must pull from your own experiences, Kanamori opens with a big win, as she enters the room while the robot club are in the process of their, Analog instruments are essential – a true giant robot would likely be run entirely by a computer program and keyboard, but analog controls just, robot-like. Thanks to the shaky camerawork, delicate mechanical animation, and human-made sound effects, you really feel the moment where the Eizouken’s giant robot stands up, after being altered in real-time thanks to the input of the Robot Club; its size and weight palpable. Asakusa Midori wants to create an anime, but she's too disheartened to make that first step by herself. 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